|Layered Gelli Arts Print|
But not always.
There are also those Gelli prints, created with acrylic paints in a single pull, that say — STOP NOW. Maybe the image is a beautiful leaf print, or a swirly design created with string, or a crisp pattern from a stencil or mask.
And while I like these images, they still need "something" more — but not another printed layer.
There are so many ways to deal with prints that “aren’t there yet”.
This time I'm going to experiment with adding more color!
Acrylic paint will act as a resist to many mediums. So, the idea is to apply color to a dry print, then wipe it off with a damp paper towel (baby wipes would work too) to reveal the original paint. The added color remains in the bare paper areas and makes the print “pop”!
Here’s what I’m going to add …
A fast and easy way to overdye a print is to spritz it with Adirondack Colorwash Sprays. After spraying on the dye, wipe the print with a damp paper towel. The dye absorbs into every tiny little unpainted area — with the most gorgeous results!
Using a soft brush, apply a watercolor wash to unprinted areas and watch the color seep into the blank paper. Blot off the excess watercolor. Luminarte's Twinkling H2O's are particularly beautiful! Nice effect!
I'm a big fan of Golden Acrylic Glaze — slow-drying transparent colors. Excellent characteristics for this purpose. Apply some color glaze onto a paper towel or sponge and rub onto the print. It leaves behind a tint of unifying color. Wipe off as much or as little of the transparent glaze from the print as you like.
Swipe dye-based ink pads onto the print and smoosh the ink into the paper. Using a damp paper towel, sponge, or baby wipe, gently wipe away excess ink off the paint. Unpainted areas on the paper will absorb the ink. I love using Ranger's Distress Ink colors for this purpose. Ranger has a line of juicy Distress Stains in dabber bottles that should work beautifully on Gelli prints.
These usually come with an eyedropper, so use it to drop or draw ink onto your print. Some colors can be pretty staining or opaque, so — once applied, rub them off the print with a damp paper towel. I used Liquitex Acrylic Ink and loved the result!
Scribble on your prints, apply a wash of water with a brush, then blot or wipe with a damp paper towel — and you'll get a very cool result! I love using Caran d'Ache NeoColor II crayons and Inktense pencils and blocks! Try adding a black Gelato (byFaber-Castell) to a pale print to create a nice contrast!
A mist or wash of walnut ink makes just about anything look great! No exception here!
Most dye-based rubber stamp inks will rub right off the acrylic paint while leaving their image on the blank paper surface. Intricate patterns can be added to the negative spaces this way! Some permanent inks, like StazOn, will leave an imprint on the paint. Different inks will give you different results. Explore the possibilities!
Sometimes all you need is the tiniest touch of additional color to make a print sing! Use a small round paintbrush and selectively add vibrant touches of color!
Here’s an added bonus! Those paper towels you've used to wipe off the colorants (dyes, inks, glazes, etc.) become quite beautiful as you mop up the excess colors! Save them and use them for collage!
Hopefully, these techniques for adding more color to your prints will result in additional excitement and direction for those prints that aren't quite "there yet” — and help them artfully arrive!
I'm sure you'll think of more ways to apply another layer of color to your prints … and we'd love to hear about your ideas and experiments! So please feel free to comment here, or post to our facebook page!
Meanwhile, please enjoy the following slideshow featuring "color-enhanced" prints!
I think we're getting there!
Thanks to Kevin MacLeod for allowing the use of his composition "Shades of Spring"!