Wednesday, May 9, 2012

Watch Your Back!


In my last blog post I talked about using different media to add color to Gelli prints that aren't quite "there yet".

What I didn't mention is that there's “another side” to the story. Literally!

Back of overdyed Gelli Print
On a number of prints, where the print surface was saturated with dye, the color seeped right through the paper to the back. And the acrylic paint from the original Gelli print created a resist! Talk about a cool effect!!!


Just like when you're working with fabric — sometimes the wrong side feels more "right". You may discover the back of an overdyed print is quite wonderful. Don't be surprised if at times you prefer the subtle, blurry, watercolor look.


The incidental images on the back of my spray-dyed prints inspire me to keep exploring! I'm hooked on this process :)



Following the same basic steps from my previous blog post, I applied additional color to Gelli prints and blotted or wiped it off with a damp paper towel.

To keep things simple, this time I only used Adirondack Color Wash Spray to overdye the prints.



Here's what I learned in the process…

1. Gelli prints created with a heavier application of paint — using stencils, masks, and drawn or blocked out images — often create more dynamic reverse-side prints.

In other words, you want to be sure there’s enough paint and pattern on your Gelli print to create an interesting resist :)

Gelli print created with stencils as masks, then overdyed.

2. Thinner paper works better. I was especially pleased with many of the reverse-side prints created on plain computer paper.


3. Dampening the Gelli print with water BEFORE adding the spray dye helps the colors blend together and absorb all the way through the paper.

Back of damp print





TIP: When the front of the print is saturated with water, flip it over and look at the back (or hold the print up to a light source). You'll see where the added dye is going to seep through on the back.






 4. Wet, saturated prints will buckle as they dry.






So, you might want to iron the prints flat once they’re dry. It's important to cover the print with parchment paper or a press cloth to protect your iron! (I use a piece of muslin)










5. This is an intuitive process. On some prints, I add water to the front and back to encourage the colors to spread. You can’t always predict how the colors will react — so experiment!


6. And if you’re like me and can’t decide which side to use — scan both sides! Then use the images in art journals, collage, ATC's, and any paper, mixed media or digital art project! Perfect!


And the best lesson of all? Spraying dye onto Gelli prints is a crazy-fun process!!!

In fact, we at Gelli Arts are having such a good time with this easy technique, we want to give one of our readers the chance to win a set of six Adirondack Color Wash Sprays to play with!!!


Just leave a comment on this blog and you'll be entered to win the Adirondack Color Wash giveaway!

The winner will be selected by a random drawing on Friday May 11th. Nancy will announce the lucky winner here and on our Facebook page. Good luck!

I hope you'll find some inspiration in this slideshow! And thanks for watching my backs!!!

Accompanying music - Sonatina in C Minor by Kevin MacLeod



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